Landon site links: Home Page , Bibliography , Biography , Corvey Holdings , Corvey Project , Criticism and Context , E-Mail , Introduction , Related Sites , Sample Texts , SHU English
Letitia Elizabeth Landon: The Gazette Poetry -- 1822
RETURN TO CONTENTSRETURN TO CONTENTS | RETURN TO TOP OF PAGE
Are other eyes beguiling, Love?
Are other rose-lips smiling, Love?
Ah, heed them not; you will not find
Lips more true, or eyes more kind,
Than mine, Love.
Are other white arms wreathing, Love?
Are other fond sighs breathing, Love?
Ah, heed them not; but call to mind
The arms, the sighs, you leave behind --
All thine, Love.
Then gaze not on other eyes, Love;
Breathe not other sighs, Love;
You may find many a brighter one
Than your own rose, but there are none
So true to thee, Love.
All thine own, mid gladness, Love;
Fonder still, mid sadness, Love;
Tho' changed from all that now thou art,
In shame, in sorrow, still thy heart
Would be the world to me, Love. --
L.E.L.
259 (January 5, 1822): 12.
RETURN TO CONTENTS | RETURN TO TOP OF PAGE
[Sketch the first. "A woman's whole life is a history of the affections. The heart is her world. She sends forth her sympathies in adventure; she embarks her whole shoal in the traffic of love, and, if shipwrecked, her case is hopeless; it is a bankruptcy of the heart."]
"Who shall bring healing to thy heart's despair,
Thy whole rich sum of happiness lies there."
There are dark yew-trees gathered round, beneath,
Are the white tombstones, and the green grass sods;
No other sounds are heard, save the low voice
Of a brook wandering by, or the wild song
Of the sweet red-breath plaining o'er the graves.
There is one tomb; distinguished from the rest
By wild flowers braided round in curious wreathes
Of April beauty; the blue violet
Bending with dewdrops, like to maiden tears,
Falling for love betrayed; the primrose wan,
As sick with hope deceived; the wild briar-rose
And honeysuckles fancifully linked,
While watching them with fond and patient care,
A pale and wasted Girl leans by that grave.
She once was beautiful, but the hot sun
Has left too rude a kiss upon her cheek,
And she has lain on the damp grass, the sky
Her only canopy; while the dew hung
Amid her hair, and the hoarse night wind sung
Her lullaby; and the unwholesome moss
Has been her pillow; this has paled her brow,
And that worst sickness, sorrow--She has lain
Beside that grave, while some unholy star
Shed over her evil influence.
I marked her place the flowers round, then smile;
Oh, such a sweet sad smile!--she sang at times;
Her song had notes most musical, but strange,
That thrilled the heart and wet the eye with tears.
These are thy bridal flowers
I am now wreathing;
This is thy marriage hymn
I am now breathing.
Some one has been changing
The fresh buds I gathered;
This is not my wreath,
Look how 'tis withered!
And then she threw the flowers aside, and turned
An earnest gaze on heaven; then sang again.
I love thee, oh! thou bright star,
Now looking in light from afar.
Am I not thy own love? I see
Thy answer shine down upon me.
I love thee, thou glorious king,
Look on the fair offering I bring.
There the summer rose blooms in its pride;
Is it not a fit crown for thy bride?
Oh! when will that time of joy be
When my spirit shall mingle with Thee!
Some day I shall seek thy bright shring,
And be to eternity thing.--
They told me of her history; her love
Was a neglected flame which had consumed
The vase wherein it kindled; Oh, how fraught
With bitterness is unrequited love!
To know that we have cast life's hope away
On a vain shadow. Her's was gentle passion,
Quite and deep, as woman's love should be,
All tenderness and silence, only known
By the soft meaning of a downcast eye,
Which almost fears to look its timid thoughts:
A high scarce heard, a blush scarce visible,
Alone may give it utterance. Love is
A beautiful feeling in a woman's heart,
When felt as only woman love can feel;
Pure as the snowfall, when its latest shower
Sinks on spring flowers; deep as a cave-locked fountain,
And changeless as the cypress's green leaves,
For, like them sad, she nourished
Fond hopes and sweet anxieties, and fed
A passion unconfessed, till He she loved
Was wedded with another; then she grew
Moody and melancholy. One alone
Had power to soothe her in her wanderings,
Her gentle sister, but that sister died,
And the unhappy girl was left alone--
A Maniac. She would wander far, and shunn'd
Her own accustomed dwelling; and her haunt
Was that dead sister's grave, and that to her
Was as a home.
L.E.L.
260 (January 12, 1822): 27-28.
RETURN TO CONTENTS | RETURN TO TOP OF PAGE
"Ten years ago," the world was then
A pleasant and a lovely dream;
Life was a river banked by flowers,
With sunshine glancing o'er the stream;
The path was new, and there was thrown
A sweet veil over pleasure's ray;
But ignorance is happiness,
When young Hope is to show the way;
And fair the scenes that hope would show
When youth was bright "ten years ago."
Ten years are past,--life is no more
The fairy land that once I knew--
Pleasures have proved but falling stars,
And many a sweetest spell untrue:
But may I look on these dear ones,
Feel their soft smile, their rosy kiss;
Or may I turn, Beloved, to thee,
My own home-star of truth and bliss!
While love's sweet lights thus round me glow,
Can I regret "ten years ago?"
L.E.L.
260 (January 12, 1822): 28.
RETURN TO CONTENTS | RETURN TO TOP OF PAGE
Sketch Second.
"Oh, Power of love! so fearful, yet so fair!
Life of our life on earth, yet kin to care!"
It lay mid trees, a little quiet nest
Like to the stock dove's, and the honeysuckle
Spread o'er the cottage roof, while the red rose
Grew round the casement, where the thick-leaved vine
Wove a luxuriant curtain, with a wreath,
A bridal wreath of silver jessamine;--
A soft turf lay before the door, o'erhung
With a huge walnut-tree's green canopy,
Encircled round with flowers; and, like a queen
Of the young roses, stood a bright-cheeked Girl,
With smile of Summer and with lips of Spring,
A shape of air, and footsteps of the wind.
She looked all hope and gladness; but her eyes,
Her deep blue eyes, which seemed as they did owe
Their tints to the first vi'let April brings,
Had yet sad meanings in them; 'twas not grief,
But as a presage of some ill to come.--
She stood upon the turf, while round her flew
Her bright-hued pigeons, feeding from her hand;
And still she threw fresh flowers upon the cage,
Where two white doves were cooing; and then ran
Light as the rose leaves falling, to her sire,
To greet him, and to give a kind Good morrow.--
A blossom full of promise is Life's Joy,
That never comes to fruit; hope for a time
Suns the young floweret in its gladsome light,
And it looks flourishing--a little while,
'Tis past, we know not whither, but 'tis gone--
Some canker has consumed it, or some blight
Has nipt it unawares, some worm has preyed
Upon its life, or else some unkind blast
Has torn it from the stem; and those who loved,
Who fondly cultured it, are left to weep
Over the ruins of their cherished flower.--
I passed by that sweet cottage; it was changed;
The rose trees were all dead, the unpruned vine
Was trailing on the ground, the thick-grown weeks
Gave signs of desolation; one poor dove
Sat by a broken casement, while her wail
Was echo'd mournfully from the lone roof--
Love, Oh fond Love! betraying, beautiful,
How can we trust the hope of life to thee?
Is it not building on the sands? Fair girl,--
It was the darkness of thy destiny!
She loved one all unworthy of her love.
Alas, that still devoted confidence
Should lead but unto ruin! He beguil'd
Her steps from home and happiness; and when
She trusted but to him, his heart no more
Answered the beat of her's--then he could leave
The fond deceiv'd one lone and desolate!
She turned her to her Father, whom she left,
And knelt, and pray'd forgiveness: he might not
Look on her pale cheek, thin and wasted form,
And not weep o'er her kind and pardoning tears.
Her heart was broken--and familiar scenes
Of happier days and childhood brought no charm
To one whose hope was past away--She died.
Nov. L.E.L.
261 (January 19, 1822): 44-45.
RETURN TO CONTENTS | RETURN TO TOP OF PAGE
Sketch Third.
"You must make
Your heart a grave, and in it bury deep
Its young and beautiful feelings."
'Tis hidden from the sun by the tall elms,
The noon has here no power, and the soft grass
Springs fresh and green, even in the summer's heat.
There is deep stillness round, save when the gale
Talks to the willows that hang gracefully
Over the brook, whose broken murmurs are
An answer to the wind which brings then breaks
The bubbles on its surface; here the dove
Coos in the noon day, and at evening tide
The woodlark sings his vesper symphony.--
This lime grove was the cherished haunt of one
Who loved it for its solitude; to him
Silence was holiest language, and the leaves,
The birds, the clouds, were his familiar friends.
His soul was given to poesy, and crowds
And peopled cities were no chains to him,
Where all was cold and strange, where none could feel
As he did; and he loved to shring away,
The deep woods his companions, and to live
Mid visions and wild songs. Oh, blessedness!
To see the fair creatures of the thought
Assume a visible form; sweet Poesy!
How witching is thy power upon the heart;
Enchantment that does bind our senses up
In one unutterable influence;
A charmed spell set over every thought,
Till life's whole hope is cast upon the lyre.
Loved with a love intense and passionate,
A strange, a jealous, but devoted love.
It is not happiness, tho' in the wreath
That binds the poet's brow, there's many a hue
Of pleasure and of beauty; yet those flowers,
Like other blooms, are guarded round with thorns,
And subject to the blight and canker-worm.
Planet of bright but wayward destinies,
Thy votaries are thy victims; he who seeks
The laurel must essay a weary path;
Neglect will chill his best affections, or
Cold mockery will greet them. There are given
Rich gifts unto the bard; but, not content
With silent rapture, he must sun his wealth,
Show his hid treasures to the world, and then
The canker will consume them, and the fame
He fondly sought be bitterness of heart.
'Twas thus with the young Minstrel of this grove:
He sought to grasp an iris, beautiful
And of bright colours, but all formed of tears.
His memory lingers in this glen, for here
He caught the inspiration of the gale,
Singing its evening hymn, and worshipped
Like an idolater the morning star
He pass'd in early youth; his heart was as
A delicate flower, too soft to blossom long.
He sleeps where yon pale willow leans, and weeps
The morning dew above his quiet grave.
L.E.L.
262 (January 26, 1822): 59.
RETURN TO CONTENTS | RETURN TO TOP OF PAGE
There were sweet sounds waked from my harp;
But see, its strings are broken.
Alas! that touch so sweet should leave
So sad a token.
My harp and heart are both alike,
Their music is departed;
The joy of song is gone from one
So broken hearted.
Love has past o'er from one
Like unto summer thunder,
And all the beauteous chords of hope
Are rent asunder!
L.E.L.
262 (January 26, 1822): 60.
RETURN TO CONTENTS | RETURN TO TOP OF PAGE
Sketch Fourth.
I do love
These old remembrances-- they are to me
The heart's best intercourse; I love to feel
The griefs, the happiness, the wayward fates
Of those that have been, for these memories
Hallow the spot whereon they linger, and
Waken our kindliest sympathies.
The shore was reefed with rocks, whose rugged sides
Were venturous footing for the fowler's step:
They were shaped out in wild and curious forms,
Above all jagged and broken, but below
The waves had worn the shaggy points away;
For there they rave incessantly. When last
I past along the beach, it was at eve,
A summer's eve, stormy, but beautiful;
I could but look upon the western sky,
The rest was hidden from my view; but there
The day had spent its glory. One rich light
Broke thro' the shadow of the tempest's wing,
While the black clouds, with gold and purple edged,
Caught every moment warmer hues, until
'Twas all one sparkling arch, and, like a king
In triumph o'er his foes, the Sun-god sought
The blue depths of the sea;--the waters yet
Were ruffled with the storm, and the white foam
yet floated on the billows, while the wind
Murmured at times like to an angry child,
Who sobs even in his slumber. Mid the rocks
That rose stern barriers to the rebel waves,
There was one spot less rugged than the rest:
Some firs had taken root there, and waved o'er
The entrance of a cave, where Grecian bards
Had said some Sea-maid dwelt, and decked the place
With ocean treasures, for the walls were bright
With crystal spar: In sooth, it seemed just formed
For some fair daughter of the main; at noon
Here she might bind her hair with shells, and wake
Her golden harp. But now a legend's told
Of human love and sorrow--it is called
The Cavern of the Pirate's Love:--her fate
Is soon and sadly told: she followed one,
A lawless wanderer of the deep, for whom
She left her father's halls. A little while
She might know happiness--it is the heart
That gives the colour to our destiny.
But lovely things are fleeting--blushes, sighs,
The hours of youth, smiles, hopes, and minstrel dreams.
Spring days and blossoms, music's tones, are all
Most fugitive; and swifter still than these
Will love dissolve into forgetfulness.
She was deserted. For awhile this cave
Was her sad refuge; for awhile the rocks
Echoed her wild complainings. I can deem
How she would gaze upon the sea, and think
Each passing cloud her lover's bark, 'till, hope
Sickened of its own vanity, and life
Sickened with hope, she passed and left a tale,
A melancholy tale, just fit to tell
On such an eve as this, when sky and sea
Are sleeping in the mute and mournful calm
Of passion sunk to rest.
L.E.L.
263 (February 2, 1822): 71.
POETIC SKETCHES.
Sketch Fifth.
"Glad meetings, tender partings, which upstay
The drooping mind of absence."
"May never was the month of love,
For May is full of flowers;
'Tis rather April, wet by kind,
For love is full of showers."
The palms flung down their shadow, and the air
Was rich with breathings of the citron bloom;
All the so radiant children of the south,
The gold and silver jessamines, the rose
In crimson glory, there were gathered--sounds
Of music too from waterfalls, the hymn
By bees sung to the sweet flowers as they fed;
The earth seemed in its infancy, the sky,
The fair blue sky, was glowing as the hopes
Of childish happiness; it was a land
Of blossoming and sunshine.--One is here,
To whom the earth is colourless, the heaven
Clouded and cold; his heart is far away:
The palms have not to him the majesty
Of his own land's green oaks, the roses here
Are not so sweet as those wild ones that grow
In his own valley; he would rather have
One pale blue violet than all the buds
That Indian suns have kist: his heart is full
Of gentle recollections, and those thoughts
Which can but hold communion with themselves,
The heart's best dreaming. When the wanderer
Calls up those tender memories which are
So precious to absence, those dear links
That distance cannot sunder--come there not
Such visionings, young Evelin, o'er thy soul?
The dwelling of thy childhood, the dark hill
Above thy native valley, down whose side,
Like a swift arrow, shot the foaming stream,
The music of the lark, which every morn
Waked thy light slumber, and a fairy shape,
Whose starry eyes are far too bright for tears,
Tho' tears are in them, and whose coral lip
Wears still its spring-day smile? Altho' "Farewell,"
That saddest of sad sounds, is lingering there,
Are not these present to thee?...Evelin was
A soldier, and he left his home with all
The high romance of youth. Beloved, and well
His heart repaid that love; but there were clouds,
Low worldly clouds, upon affection's star:
He sought to clear them--what was toil, that led
To fame, to fortune, and Elizabeth! - - - [rose
- - - There's music in that bower, where the wild
Has clung about the ash,--such plaining tones
As the winds waken: there a harp is breathing,
And o'er it leans its mistress, as she lived
Upon those melancholy sounds: her head
Is bent, as if in pain, upon those strings,
And the gold shadows of her long hair veil
The white hand which almost unconsciously
In melody is wandering: that fair hand
Is not more snowy than the cheek it presses;
That cheek does tell the history of the heart--
Tells, that across the bright May hours of youth
Bleak clouds have past, and left behind a trace
Bordering on sadness, but withal so sweet
You scarce might call it sorrow; and that smile
But speaks of patient mild endurance, soft
And kind and gentle thoughts, which well become
A breaking heart, whose throbs will soon be still
In the so lonely but so quiet grave.
Yes, she was dying! tho' so young, so fair,
Her days were number'd: and if e'er her cheek
Wore the rich colour it once had, 't was but
The sad and lovely herald of decay,
The death rose, that but blossoms on the tomb.
Her's was a heart which, when it once had loved,
Could but ill brook the many trembling fears
That absent love must know:--her fate was like
A star, o'er which the clouds steal one by one,
Scarce seen, scarce noticed, till the sweet light's
gone. - - - - -
- - - She is within his arms, and they have met,
Evelin and his Elizabeth! a flush
Of beautiful delight is on her face;
He clasped her silently, and his dark eye
Is filled with tears. Ah, tears like these are worth
A life of smiles,--at length he gently said,
"Elizabeth, my own love!"--it was heaven
To think that she again could hear him breathe
That dear dear name; she answered not, but lay
Upon his bosom motionless. He looked
On her sweet face--'twas fixed and pale in death!
L.E.L.
264 (February 9, 1822): 89.
POETIC SKETCHES.
Sketch Sixth.
"She had no thought from his apart,
The idol of her seared heart,
The hope of life's long pilgrimage,
The light, the blessing of her age!
But hope is like the rainbow's form,
Dying in tears and born in storm;
And all must feel what passing flowers
Are joys we deemed most truly ours."
"Alas, life is a weary voyage, made
Mid storms and rocks, with just a sun ray sent
To lure us on and leave us."
Down swept the gathered waters over rocks
Which broke at times the column's foaming line;
Darkening amid the snow-white froth, it swept
Like an all conquering army, and an arch
Of sparkling hues that in the sunbeams played
Seemed to unite it with the sky which hung
Above all calmness and repose: The blue
Ethereal, soft and stainless, well beseemed
A heaven we deem the dwelling-place of peace:
Downwards it rushed; the tall green pines, that hung
Upon the cliffs beside, were covered o'er
With silver spray: there stood those stately trees,
Braving the furious storm, as the proud sons
Of Greece, when Greece was glorious, stood and braved
The tyrant's menace and defied the yoke.
It reached the plain below; a crystal lake
Became its dwelling, where the dimpling wave
Had lost all memory of its former strife:
The willows grew around, and that pale flower
The water-lily floated on its face,
The halycon plumed his azure wings, nor feared
A coming storm, and in the midst an isle
Rose like a blest shring to the guardian power
Of that sweet scene. It was a little spot
Shaded by gloomy firs and lighter birch:
Here the wild strawberry shed its first white blossoms,
And the dove built her nest, while the soft gale,
Sighing amid the graceful larches, gave
The only answer to her murmurings.--
Two once dwelt here, a Mother and her Child:
She was a widow, and had deeply drank
The cup of bitterness. But woman bears
The storm man shrinks from unrepiningly.
At length the one to whom her love had been
A light mid darkness died, and she was left
In coldness and unkindness: but one link
Still bound her to this earth; there was a smile
Bore gladness to her wounded heart, a voice
Of joy and consolation, one who made
Life very precious to her--the young bird,
Her own sweet nestling, yet too young to know
What clouds hung o'er him.--Quiet came at last;
The mourner found a little lone retreat
Where she might rest her weary feet--this isle
Became her home. Her child grew up
A hope and blessing to her:--she was proud
To hear that when he joined his young compeers,
No foot was fleet as his, no hand could send
The arrow so unerringly, and none
So lightly and so fearless could scale
The height whereon the eagle dwelt; and, more
Than all, to feel how she was loved! He seemed
To live but for her. When with boyish pride
He dared the venturous path the other feared,
If chance he saw his mother's cheek grow pale,
The meed was left unwon. One morn he went
In his light skiff, and promised to return
As evening fell; but when the sun sank down
The air was thick with clouds, and the fierce wind
Poured in its anger o'er the waters; loud
The thunder rolled, and the red lightnings hurled
Their fiery warnings. High upon a rock
She raised a fire:--the lightning struck the pile,
She marked it not--the rain beat on her head,
It was unfelt--but with the agony
Of hope expiring, still she fed the flame.
Day rolled the clouds away, and, sick at heart,
She looked towards the shore--he floated there,
Her own beloved Child!--With one wild shriek
She threw herself towards him, and the waves
Closed on them undivided! - - -
L.E.L.
265 (February 16, 1822): 105.
SONG.
Listen to the tale
That on the night gale
Blends with the rose's sigh;
The moon shines o'er thy bower,
Yon star has marked the hour
When no step and no sound are nigh.
Like the nightbird's lay
Which dares not by day
Tell of its hope and fear,
But awakens the flower
On the still moonlight hour,
When not another song is near.
Then open those blue eyes,
The smile which there lies
Glancing of love, fond love;
So like yon star's sweet ray,
Whose brightness clears away
Each shadow that darkens above.
The pearls of the sea
Were worthless to me,
Earth's gems in vain were mine;
They would not give the bliss
Of a moment like this
When I breathe that sweet sigh of thine.
L.E.L.
268 (March 9, 1822): 152.
THE POET.
Oh say not that truth does not dwell with the lyre,
That the Minstrel will feign what he never has felt;
Oh say not his love is a fugitive fire,
Thrown o'er the snow mountains, will sparkle, not melt.
It is not the Alpine hills rich with the ray
Of sunset can image the soul of the bard;
The light of the evening around them may play,
But the frost-work beneath is, tho' bright, cold and hard.
'
Tis the burning volcano, that ceaseless glows,
Where the Minstre may find his own semblance pourtray'd;
The red fires that gleam on the summit are those
That first on his own inmost spirit have preyed.
Ah, deeply the Minstrel has felt all he sings,
Every passion he paints his own bosom has known;
No note of wild music is swept from the strings,
But first his own feelings have echoed the tone.
Then say not his love is a fugitive fire,
That the heart can be ice while the lip is of flame;
Oh say not that truth does not dwell with the lyre;
The pulse of the heart and the harp are the same.
L.E.L.
275 (April 27, 1822): 264.
POETIC SKETCHES.
___________
Second Series--Sketch the First.
___________
sappho.
- - - - She was one
Whose lyre the spirit of a sweet song had hung
With myrtle and with laurel; on whose head
Genius had shed his starry glories - - -
"- - - transcripts of woman's loving heart
And woman's disappointment." - - - -
___________
She leant upon her harp, and thousands looked
On her in love and wonder--thousands knelt
And worshipp'd in her presence--burning tears,
And words that died in utterance, and a pause
Of breathless, agitated eagerness,
First gave the full heart's homage: then came forth
A shout that rose to heaven, and the hills,
The distant valleys, all rang with the name
Of the AEolian Sappho--every heart
Found in itself some echo to her song.
Low notes of love--hopes beautiful and fresh,
And some gone by for ever--glorious dreams,
High aspirations, those thrice gentle thoughts
That dwell upon the absent and the dead,
Were breathing in her music--and these are
Chords every bosom vibrates to. But she
Upon whose brow the laurel crown is placed,
Her colour's varying with deep emotion--
There is a softer blush than conscious pride
Upon her cheek, and in that tremulous smile
Is all a woman's timid tenderness:
Her eye is on a Youth, and other days
And young warm feelings have rushed on her soul
With all their former influence,--thoughts that slept
Cold, calm as death, have wakened to new life--
Whole years' existence have passed in that glance...
She had once loved in very early days:
That was a thing gone by: one had called forth
The music of her soul: he loved her too,
But not as she did - she was unto him
As a young bird, whose early flight he trained,
Whose first wild songs were sweet, for he had taught
Those songs--but she looked up to him with all
Youth's deep and passionate idolatry:
Love was her heart's sole universe--in whose smile
Was all e'en minstrel pride held precious; praise
Was prized but as the echo of his own.
But other times and other feelings came:
Hope is love's element, and love with her
Sickened of its own vanity....She lived
Mid bright realities and brighter dreams,
Those strange but exquisite imaginings
That tinge with such sweet colours minstrel thoughts;
And Fame, like sunlight, was upon her path;
And strangers heard her name, and eyes that never
Had looked on Sappho, yet had wept with her.
Her first love never wholly lost its power,
But, like rich incense shed, although no trace
Was of its visible presence, yet its sweetness
Mingled with every feeling, and it gave
That soft and melancholy tenderness
Which was the magic of her song....That Youth
Who knelt before her was so like the shape
That haunted her spring dreams--the same dark eyes,
Whose light had once been as the light of heaven!--
Others breathed winning flatteries--she turned
A careless hearing--but when Phaon spoke,
Her heart beat quicker, and the crimson light
Upon her cheek gave a most tender answer....
She loved with all the ardour of a heart
Which lives but in itself: her life had passed
Amid the grand creations of the thought:
Love was to her a vision--it was now
Heightened into devotion....But a soul
So gifted and so passionate as her's
Will seek companionship in vain, and find
Its feelings solitary....Phaon soon
Forgot the fondness of his Lesbian maid;
And Sappho knew that talents, riches, fame,
May not soothe slighted love. - - - -
- - - There is a dark rock looks on the blue sea;
'Twas there love's last song echoed--there She sleeps,
Whose lyre was crowned with laurel, and whose name
Will be remembered long as Love or Song
Are sacred--the devoted Sappho!
L.E.L.
276 (May 4, 1822): 282.
POETIC SKETCHES.
___________
Second Series--Sketch the Second.
___________
THE CONTRAST.
- - - - - - And this is love:
Can you then say that love is happiness?
___________
There were two Portraits: one was of a Girl
Just blushing into woman; it was not
A face of perfect beauty, but it had
A most bewildering smile,--there was a glance
Of such arch playfulness and innocence,
That as you looked, a pleasant feeling came
Over the heart, as when you hear a sound
Of cheerful music. Rich and glossy curls
Were bound with roses, and her sparkling eyes
Gleamed like Thalia's, when some quick device
Of mirth is in her laugh. Her light step seemed
Bounding upon the air with all the life,
The buoyant life of one untouched by sorrow. - - -
- - - There was another, drawn in after years:
The face was young still; but its happy look
Was gone, the cheek had lost its colour, and
The lip its smile,--the light that once had played
Like sunshine in those eyes, was quenched and dim,
For tears had wasted it: her long dark hair
Floated upon her forehead in loose waves
Unbraided, and upon her pale thin hand
Her head was bent, as if in pain,--no trace
Was left of that sweet gaiety which once
Seemed as grief could not darken it, as care
Would pass and leave behind no memory. - - -
There was one whom she loved undoubtingly,
As youth will ever love.--he sought her smile,
And said most gentle things, although he knew
Another had his vows.--Oh! there are some
Can trifle, in cold vanity, with all
The warm soul's precious throbs, to whom it is
A triumph that a fond devoted heart
Is breaking for them,--who can bear to call
Young flowers into beauty, and then crush them!
Affections trampled on, and hopes destroyed,
Tears wrung from very bitterness, and sighs
That waste the breath of life,--these all were her's
Whose image is before me. She had given
Life's hope to a most fragile bark, to love!
'Twas wrecked--wrecked by love's treachery: she knew,
Yet spoke not of his falsehood; but the charm
That bound her to existence was dispelled--
Her days were numbered:--She is sleeping now.
L.E.L.
277 (May 11, 1822): 297.
POETIC SKETCHES.
___________
Second Series--Sketch the Third.
ROSALIE.
___________
The green grass, with a cypress tree above,
Is now her dwelling, and the worm hath fed
Upon the lip I loved so - - -
___________
We met in secret: mystery is to love
Like perfume to the flower; the maiden's blush
Looks loveliest when her cheek is pale with fear.
By moonlight still I sought my lady's bower,
And there, 'mid blossoms fragrant as her sigh,
I met the beauty that my soul adored,
And listened for the light feet, which like wind
Pass'd o'er the dewy turf. Oh never can
That dear step be forgotten--it is still
Familiar as a sound of yesterday.--
Our shrine of meeting was a cypress, which
Hung o'er the rose, like Sorrow shading Love:
This was the temple where we called the Night
To witness gentle vows, and when each lip
Paused in the fullness of impassioned thoughts;--
Hearkened those moonlight melodies, which came
So soothingly upon that silent time;
The light cascade, descending, shedding round
Its silver drops upon the orange blooms,
That leant to kiss their own fair images,
Each sparkling wave a mirror, and sighed forth
Their soul of odour as they caught the dew;
The melancholy music of that bird
Who sings but to the stars, and tells her tale
Of love when, bosomed by the snowy clouds,
The Queen of Beauty lights her radiant lamp,
Her own soft planet.--And at times there came
Like a low echo, a faint murmur, when
A gale just laden with the rose's sight
Swept the Eolian lyre, and wakened sounds
Of such wild sweetness that it almost seemed
The breath of flowers made audible.--They told,
In long departed days, when every grove
Was filled with beautiful imaginings
And visioned creations, that a Nymph
Once pined with unrequited love, and sighed
Away her sad existence. I could think
She left her last tone softly giving soul
To the sad of that lonely lyre;
Or else, perchance, the spirit of some Bard,
Whose life in life was music, wander'd o'er
The chords which once with him held sympathy,
Like him neglected, but sweet breathing still! - -
- - Why dwell I on these memories? Alas,
The heart loves lingering o'er the shadows left
By joys departed.--'Twas one summer night,
And our brief hour had pass'd; I know not why,
But my soul felt disquieted within me,
And the next evening, when I sought the grove,
I had a strange foreboding sadness--none
Were there to welcome me, no silvery trace
Of fairy footsteps was upon the grass:
I waited long and anxiously--none came--
I wandered on; it was not in the hope
To meet my Rosalie; but it was sweet
To look upon the stars, and think that they
Had witnessed our love. At once a sound
Of music slowly rose, a sad low chant
Of maiden voices, and a faint light streamed
From out the windows of a chapel near;
I knew it well--'twas the shrine sacred to
Her patron saint, and Rosalie had said,
If ever I might claim her as my bride
Before the face of heaven, that altar should
Be where our vows were given. I entered in,
And heard a sound of weeping, and saw shapes
Bent down in anguish: in the midst a bier
Was covered o'er with flowers--sad offerings made
The dead, in vain--and one lay sleeping there,
Whose face was veiled;--I could not speak nor ask,
My heart was wild with fear,--I lifted up
The long white veil,--I looked on the pale cheek
Of my so worshipped Rosalie!
L.E.L.
278 (May 18, 1822): 314.
POETIC SKETCHES.
___________
Second Series--Sketch the Fourth.
St. George's Hospital, hyde-park corner.
___________
These are familiar things, and yet how few
Think of this misery!--
___________
I left the crowded street and the fresh day,
And entered the dark dwelling, where Death was
A daily visitant,--where sickness shed
Its weary languor o'er each fevered couch.
There was a sickly light, whose glimmer showed
Many a shape of misery: there lay
The victims of disease, writhing with pain;
And low faint groans, and breathings short and deep,
Each gasp a heartfelt agony, were all
That broke the stillness.--There was one, whose brow
Dark with hot climates, and gashed o'er with scars,
Told of the toiling march, the battle-rush,
Where sabres flashed, the red shots flew, and not
One ball or blow but did destruction's work:
But then his heart was high, and his pulse beat
Proudly and fearlessly:--now he was worn
With many a long day's suffering,--and death's
A fearful thing when we must count its steps.
And this was, then, the end of those sweet dreams,
Of home, of happiness, of quiet years
Spent in the little valley which had been
So long his land of promise? Farewell all
Gentle remembrances and cherished hopes!
His race was run, but its goal was the grave.--
I looked upon another, wasted, pale,
With eyes all heavy in the sleep of death;
Yet she was lovely still,--the cold damps hung
Upon a brow like marble, and her eyes,
Though dim, had yet their beautiful blue tinge.
Neglected as it was, her long fair hair
Was like the plumage of the dove, and spread
Its waving curls like gold upon her pillow.
Her face was a sweet ruin. She had loved,
Trusted, and been betrayed! In other days,
Had but her cheek looked pale, how tenderly
Fond hearts had watched it! They were far away,
She was a stranger in her loneliness,
And sinking to the grave of that worst ill
A broken heart.--And there was one, whose cheek
Was flushed with fever--'twas a face that seemed
Familiar to my memory,--'twas one
Whom I had loved in youth. In days long past,
How many glorious structures we had raised
Upon Hope's sandy basis! Genius gave
To him its golden treasures: he could pour
His own impassioned soul upon the lyre;
Or, with a painter's kill, create such shapes
Of loveliness, they were more like the hues
Of the rich evening shadows, than the work
Of human touch. But he was wayward, wild;
And hopes that in his heart's warm summer clime
Flourished, were quickly withered in the cold
And dull realities of life; - - - he was
Too proud, too visionary for this world,
And feelings which, like waters unconfined,
Had carried with them freshness and green beauty,
Thrown back upon themselves, spread desolation
On their own banks. He was a sacrifice,
And sank beneath neglect; his glowing thoughts
Were fires that preyed upon himself. Perhaps,
For he has left some high memorials, Fame
Will pour its sunlight o'er the picture, when
The Artist's hand is mouldering in the dust,
And fling the laurel o'er a harp, whose chords
Are dumb for ever. But his eyes he raised
Mutely to mine--he knew my voice again,
And every vision of his boyhood rushed
Over his soul; his lip was deadly pale,
But pride was yet upon its haughty curve; - -
He raised one hand contemptuously, and seemed
As he would bid me mark his fallen state,
And that it was unheeded. So he died
Without one struggle, and his brow in death
Wore its pale marble look of cold defiance.
L.E.L.
279 (May 25, 1822): 331.
POETIC SKETCHES.
___________
Second Series--Sketch the Fifth.
mr. martin's picture of clytie.
___________
- - - - - - - - - - Greece,
These are thy graceful memories, the dreams
That hallowed thy groves, and over things
Inanimate shed visionary life,
When every flower had some romantic tale
Linked with its sweetness, when the winds, the streams
Breathed poetry and love. - - -
It was a beautiful embodied thought,
A dream of the fine painter, one of those
That pass by moonlight o'er the soul, and flit
'Mid the dim shades of twilight, when the eye
Grows tearful with its ecstasy. There stood
A dark haired Grecian girl, whose eyes were raised,
With that soft look love teaches, to the sky--
One hand pressed to her brow, as she would gave
Upon the sun undazzled--'twas that nymph,
The slighted Clytie. May minstrel look
Upon the sweet creation, and not feel
Its influence on the heart? Now listen, love,
I'll tell thee of her history: she was
Amid those lovely ones that walk the earth
Like visions all of heaven, or but made
The more divine by earthly tenderness;
One of the maiden choir, that every morn,
From lips of dew and odours, to the sun
Hymned early welcome. 'Twas one summer eve,
And the white columns and the marble floor
In the proud temple of Day's deity
Were flooded o'er with crimson, and the air
Was rich with scents; it was Clytie's turn
To watch the perfumed flame; she sat and waked
Her silver lute with one of those sweet songs
Breathed by young poets when their mistress' kiss
Has been their inspiration. Suddenly
Some other music echoed her own,
Faint, but most exquisite, like those low tones
That winds of summer sigh in the sea shells;
It died in melting cadences, but still
Clytie bent to hear it.--Could it be
A dream, a strange wild dream? There stood a Youth
More beautiful than summer by her side!
His bright hair floated down like Indian gold,
A light played in his curls, and his dark eyes
Flashed splendour too intense for human gaze;
A wreath of laurel was upon the lyre
His graceful hand sustained, and by his side
The sparkling arrows hung. It was the god
That guides the sun's blue race, the god of light,
Of song, who left his native heaven for on
More precious far--the heaven of woman's love. - -
- - They met no more, but still that glorious shape
Haunted her visions; life to her was changed;
Gaiety, hope, and happiness, were all
Centered in one deep thought. The time had been,
When never smile was sunnier than her's,
No step more buoyant, and no song more glad:
All, all was changed; she fled to solitude,
And poured her wild complainings to the groves,
And Echo answered--Echo, that, like her,
Had pined with ill-starred love! Oh never, never
Had love a temple like a woman's heart!
She will serve so devotedly, will give
Youth, beauty, health, in sacrifice; will be
So very faithful!--without hope to cheer,
Or tenderness to soothe, her love yet will
Continue unto death. Clytie dwelt
On that once cherished memory; she would gaze
For hours upon the sky, and watch the sun;
And when the pale light faded from the west,
Would weep till morning. Is it not just thus
In that fine semblance, where the painter's touch
Has bodied forth her beauty and her sorrow
That she is pictured with a sad soft smile,
Turned to the azure home of her heart's god?
A fresh green landscape round, just like those groves,
The Grecian groves, where she was wont to roam.
- - - Look, dear, upon that flower--'tis hallowed
By the remembrance of unhappy love,
'Tis sacred to the slighted Clytie;
Look, how it turns its bosom to the sun,
And when dark clouds have shadowed it, or night
Is on the sky, mark how it folds its leaves,
And droops its head, and weeps sweet tears of dew,
The constant Sun-flower.
L.E.L.
280 (June 1, 1822): 346.
POETIC SKETCHES.
__________
Second Series--Sketch the Sixth.
THE DESERTER.
___________
Alas, for the bright promise of our youth!
How soon the golden chords of hope are broken,
How soon we find that dreams we trusted most
Are very shadows.
___________
'Twas a sweet summer morn--the lark had just
Sprang from the clover bower around her nest,
And poured her blithe song to the clouds; the sun
Shed his first crimson o'er the dark grey walls
Of the old church, and stained the sparkling panes
Of ivy-covered windows. The damp grass,
That waved in wild luxuriance round the graves,
Was white with dew, but early steps had been,
And left a fresh green trace round yonder tomb:
'Twas a plain stone, but graven with a name
That many stopped to read--a Soldier's name--
And two were kneeling by it, one who had
Been weeping; she was widow to the brave,
Upon whose quiet bed her tears were falling.
From off her cheek the rose of youth had fled,
But beauty still was there, that softened grief,
Whose bitterness is gone, but which was felt
Too deeply for forgetfulness; her look,
Fraught with high feelings and intelligence,
And such as might beseem the Roman dame
Whose children died for liberty, was made
More soft and touching by the patient smile
Which piety had given the unearthly brow,
Which Guido draws when he would form a saint
Whose hopes are fixed on heaven, but who has yet
Some earthly feelings binding them to life.
Her arm was leant upon a graceful Youth,
The hope, the comfort of her widowhood;
He was departing from her, and she led
The youthful soldier to his father's tomb--
As in the visible presence of the dead
She gave her farewell blessing, and her voice
Lost its so tremulous accents as she bade
Her child tread in that father's steps, and told
How brave, how honoured he had been. But when
She did entreat him to remember all
Her hopes were centered in him, that he was
The stay of her declining years, that he
Might be the happiness of her old age,
Or bring her down with sorrow to the grave,
Her words grew inarticulate, and sobs
Alone found utterance; and he whose cheek
Was flushed with eagerness, whose ardent eye
Gave animated promise of the fame
That would be his, whose ear already rang
With the loud trumpet's war song, felt these dreams
Fade for a moment, and almost renounced
The fields he panted for, since they must cost
Such tears as these.--The churchyard left, they pass'd
Down by a hawthorn hedge, where the sweet May
Had showered its white luxuriance, intermixed
With crimson clusters of the wilding rose,
And linked with honeysuckle. O'er the path
Many an ancient oak and stately elm
Spread its green canopy. How Edward's eye
Lingered on each familiar sight, as if
Even to things inanimate he would bid
A last farewell. They reached the cottage gate;
His horse stood ready; many, too, were there,
Who came to say Good by, and kindly wish
To the young soldier health and happiness.
It is a sweet, albeit most painful, feeling
To know we are regretted. "Farewell" said
And oft repeated, one last wild embrace
Given to his pale Mother, who stood there,
Her cold hands prest upon a brow as cold,
In all the bursting heart's full agony--
One last last kiss--he sprang upon his horse,
And urged his utmost speed with spur and rein.
He is past - - - out of sight. - - - -
-------The muffled drum is rolling, and the low
Notes of the Death-march float upon the wind,
And stately steps are pacing round that square
With slow and measured tread; but every brow
Is darkened with emotion, and stern eyes,
That looked unshrinking on the face of death,
When met in battle, are now moist with tears.
The silent ring is formed, and in the midst
Stands the Deserter!-------Can this be the same,
The young, the gallant Edward? and are these
The laurels promised in his early dreams?
Those fettered hands, this doom of open shame!
Alas, for young and passionate spirits! Soon
False lights will dazzle. He had madly joined
The rebel banner! Oh 'twas pride to link
His fate with Erin's patriot few, to fight
For liberty or the grave! But he was now
A prisoner--yet there he stood, as firm
As tho' his feet were not upon the tomb:
His cheek was pale as marble, and as cold;
But his lip trembled not, and his dark eyes
Glanced proudly round. But when they bared
his breast
For the death-shot, and took a portrait thence,
He clenched his hands, and gasped, and one deep sob
Of agony burst from him; and he hid
His face awhile--his mother's look was there.
He could not steel his soul when he recalled
The bitterness of her despair. It passed--
That moment of wild anguish; he knelt down;
That sunbeam shed its glory over one,
Young, proud, and brave, nerved in deep energy;
The next fell over cold and bloody clay. - -
----There is a deep voiced sound from yonder vale
Which ill accords with the sweet music made
By the light birds nestling by those green elms,
And a strange contrast to the blossomed thorns.
Dark plumes are waving, and a silent hearse
Is winding through that lane. They told it bore
A Widow, who died of a broken heart;
Her child, her soul's last treasure,--he had been
Shot for desertion!
L.E.L.
[In the Fifth Sketch, last week, the first seven lines should have been printed as a head to the poem.]
281 (June 8, 1822): 362-363.
THE WANDERER.
A Fragment.
* * * * *
- - - - - He laid his side upon the bank,
Making his couch of lily and of rose:
Above him waved its buds a woodbine dank,
Fanning the curls upon his burning brows.
His harp was hung upon its slender boughs;
And ever as the sudden swelling air
Did in its string the slumbering spirit rouse,
He thought upon his Love, so false and fair,
And to his wan lips pressed her lock of auburn hair.
Now Evening's golden urn o'erflowed with hues
Of all rare beauty, on the West afar;
And down the sky, encompassed with sweet dews,
Came sailing in its state the Twilight Star;
And on the hills a quivering silver bar
Showed where the Moon was in her cloudy tent,
Waiting until her brother's fiery car
Had plunged within the watery element,
That ever and anon a dying murmur sent.
The Minstrel smiled; and sighed, "O gentle bower,
Within thy shadow ever might I dwell!
Here should I see no Baron's frowning tower,
Nor feel upon my heart the Convent knell,
Where Love and Beauty in some dreary cell
Waste life away, of all its life forlorn,
In agonies not made for words to tell;
Till comes the long long night without the morn;
And it its earthy bed the broken heart is borne."
A sound was heard in Heaven--the hurrying clouds
Unfurled their pinions o'er the turbid sea,
As if dark Spirits sat within their shrouds.
Down to its roots was bowed the forest-tree,
The wolf against the wind howled mournfully;
The cloudy armies still came thickening on,
Scaling the mountains till they reach'd the sky--
Then, like a trumpet's solitary tone,
The thunder gave the sign--the tempest was begun.
The Minstrel started from his dripping bed,
And looked abroad on Heaven; the lightning-vein
Still left upon the storm its streak of red;
The rain had paused, but heavy smokes were seen
Bursting the solemn thunder-clouds between,
As if, within, the fiery wrath still blazed.
The Ocean lay a sheet of trembling green,
With spots, like floating islands, purple hazed,
Round which with weary sail some wandering
vessel mazed.
* * * * *
284 (June 29, 1822): 410.
SONGS.
1.
Ah, look upon those withered flowers,
And look upon that broken lute!
Why are those roses scentless, dead?
Why are those gentle chords so mute?
A sunbeam pass'd and kissed those flowers,
Waked the young bloom, the incense sigh;
But darkling clouds came o'er that ray,
The rose was left to droop, to die!
A wind breathed by and waked the lyre,
Oh never had it such a sound;
But soon the gale too rudely swept--
The lute lay broken on the ground!
These things are emblems of my heart;
And what has been thine influence there?
You taught me first love's happiness,
How could you teach me love's despair!
2. LOVE'S LAST WORDS.
Light be around thee, hope by thy guide;
Gay be thy bark, and smooth be the tide;
Soft be the wind that beareth thee on,
Sweet be thy welcome, thy wanderings done.
Bright be the heath, may the eyes you love best
Greet the long-absent again to his rest;
Be thy life like glad music which floateth away
As the gale lingering over the rose-tree in May.
But yet while thy moments in melody roll,
Be one dark remembrance left on thy soul,
Be the song of the evening thrice sad on thine ear--
Then think how your twilight were past away here.
And yet let the shadow of sorrowing be
Light as the dream of the morning to thee!
One fond, faint recollection, one last sight of thine
May be granted to love so devoted as mine!
3. FOR MUSIC.
Thou art looking on the face of night, my love!
Is not yon evening star bright, my love?
Methinks it is
A world of bliss
For spirits all softness and light, my love!
This earth is so chilled with care, my dear!
Would we might wing our flight there, my dear!
For love to blaze
With the cloudless rays
It would have in a world so fair, my dear!
But my wish to visit that star, dear love!
Is vain as my other hopes are, dear love!
For my heart's wild sigh
Of idolatry
Breathes with thee like that planet afar, dear love!
L.E.L.
284 (June 29, 1882): 410.
Sketches from Drawings by Mr. Dagley.
Sketch the First.
time arresting the Career of pleasure.
-----------------
His iron hand grasped a Bacchante's arm,
And at his touch the rose and vine leaves died;
He pointed to the circle where the Hours
Held on their visible course.
-----------------
Stay thee on thy mad career,
Other sounds than Mirth's are near;
Fling not those white arm in air;
Cast those roses from thy hair;
Stop awhile those glancing feet;
Still thy golden cymbals' beat;
Ring not thus thy joyous laugh;
Cease that purple cup to quaff;
Hear my voice of warning, hear,--
Stay thee on thy mad career!
Youth's sweet bloom is round thee now,
Roses laugh upon thy brow;
Radiant are thy starry eyes;
Spring is in the crimson dyes
O'er which thy dimple-smile is wreathing;
Incense on thy lip is breathing;
Light and Love are round thy soul,--
But thunder peals o'er June-skies roll;
Even now the storm is near--
Then stay thee on thy mad career!
Raise thine eyes to yonder sky,
There is writ thy destiny;
Clouds have veiled the new moonlight;
Stars have fallen from their heights;
These are emblems of the fate
That waits thee--dark and desolate!
All Morn's lights are now thine own,
Soon their glories will be gone;
What remains when they depart?
Faded hope, and withered heart
Like a flower with no perfume
To keep a memory of its bloom!
Look upon that hour-marked round,
Listen to that fateful sound;
There my silent hand is stealing,
My more silent course revealing;
Wild, devoted Pleasure, hear,--
Stay thee on thy mad career!----
L.E.L.
288 (July 27, 1822): 473.
Sketches from Designs by Mr. Dagley.
Sketch the Second.
Love touching the Horns of a Snail, which is
shrinking from his hand.
------------
Love's feeling is more soft, and sensible,
Then are the tender horns of cockled snails.
------------
Oh, you have wronged me!--but, or e'er I tell
How deep I feel the injury, I will
One moment linger o'er the thing which were
Precious as happiness; I will just say,
For the last time, how I have loved you! All
My hopes in life dwelt with you, for you were
The centre of existence; all I said,
Or did, or thought, had reference to you.
I would have shared the bleakest poverty
With you, and only sorrowed for your sake;
I would have given up all the world could give
Of pleasure for you--and your kiss, your smile
To me had been light, mirth, and revelry.
You had my soul's first incense, for my heart
Had never darkened with love's conscious shadow,
Till you did set your image like a seal
Upon its every fibre. Oh, I could
Have born with open shame, with pain, with toil;
Have drained the veriest dregs of bitterness--
But cannot bear unkindness and neglect.
Thrice venomed is the wound when 'tis Love's hand
Inflicts the blow. Look on this picture--here
Are all my feelings imaged! Mark how soon,
How sensitive that creature shrinks away
From Love's rude touch, within its own calm home.
'Tis thus my soul's revealings have been checked,
And forced to shrink within themselves again,
And I might envy even that "cockled" Snail:
It will find in its shell a quiet rest--
But when my feelings turn unto the heart
That sent them forth, what will they find there but
A desert, where the too impassioned past
Has left deep fiery traces!
L.E.L.
289 (August 3, 1822): 487.
Sketches from Designs by Mr. Dagley.
Sketch the Third.
----------
THE CUP OF CIRCE.
----------
"All have drank of the cup of the enchantress."
She sat a crowned Queen--the ruby's light
Gleamed like a red star on the dark midnight
Amid her curls; but as they downward fell
To meet her ivory neck's luxuriant swell,
Some roses twined around the flowing hair--
Fair roses--yet her neck was far more fair:
They were in summer perfume, and they gave
Fresh fragrance forth at each light tress's wave.
Her cheek was crimson beauty, and her eye
Flashed light upon its varying brilliancy.
There was a spell in those dark eyes, and all
Bent joyfully beneath its radiant thrall:
Their power was on the heart. One white hand raised
A sparkling vase, where gold and opals blazed
Only less glorious than her starry eyes;
(How sweet the incensed breathings that arise
From that enchanted cup!) and she the while
Held the bright poison with a witching smile.
All gathered round. I marked a fair child stop
And kiss the purple bubbles from the tope;
A white haired man, too, hung upon the brim--
Oh! that such pleasure should have charms for him--
And by his side a girl, whose blue eyes, bent
On the seducer, looked too innocent
For passion's madness;--but love's soul was there--
And for young Love what will not woman dare!
There was a warrior--oh, the chain was sweet
That bound him prisoner to the Circe's feet:
He knelt and gazed upon her beauty; she
Smiled, and received his wild idolatry;
Then sighed that low sweet sigh, whose tender tone
Is witching, from its echo of our own.
The Painter's skill has seized a moment where
Her hand is wreathing mid his raven hair;
And he is bent in worship, as that touch,
That soft light touch, were ecstasy too much.
He is just turned from that bewildering face
To the fair arm that holds the magic vase--
The purple liquor is just sparkling up--
The youth has pledged his heart's truth on that
cup!
L.E.L.
290 (August 10, 1822): 504.