| 8:30
am |
Registration
& Coffee: Room 330, Edward Johnson Building |
| |
|
| 9:00
– 10:30 am |
SESSION
1 |
| Jeremy
Morris
(Ryerson/York) |
Exploring
the Role of Branding in the Popular Music Industry |
| Jennifer
Taylor
(McMaster) |
Lilith
Fair: A Celebration of Whom? |
| Gordon
Sheard
(York) |
Bakhtin
in Bahia: The Brazilian Carnival Song “Pererê”
and Dialogized Heteroglossia |
| |
link
to abstracts |
| 10:30
– 11:00 am |
COFFEE
BREAK |
| 10:30
– 11:00 am |
DISPLAY-DISCUSSION
by Jim Kimball (SUNY Geneseo)
Jaw Harps: A Comparative and Historical Display |
| |
|
| 11:00
am – 12:30 pm |
SESSION
2 |
| Jose
Neglia
(Toronto) |
Madama
Butterfly Part II: Re-“Righting” the Wrongs of the Butterfly
Story in
a 2004 Japanese Opera |
| Kate
Galloway
(Toronto) |
The
Revitalization of Ritual in R. Murray Schafer’s Patria
Cycle |
| Alexander
Glenfield
(York) |
Humor
in the Hybrid: Musical Aesthetics of Pun in Tuvan Shamanism |
| |
link
to abstracts |
| 12:30
– 2:00 pm |
LUNCH
|
| |
|
| 2:00
– 3:30 pm |
SESSION
3 |
Isaac
Akrong
(York) &
Everett Igobwa (York) |
Miziki
wa Kisasa: A Comparative Analysis of Rhythm in Sub-Saharan
African
Musics |
| Rubén
Esguerra
(York) |
Tuning
the tambor alegre: Establishing a stylistic and aesthetic
identity |
| Mitzie
Collins
(Eastman) |
Children’s
Playground Clapping Games and Chants from Rochester’s 19th
Ward and South Wedge Neighborhoods: A Project in Progress |
| |
link
to abstracts |
| 3:30
– 4:00 pm |
COFFEE
BREAK |
| 4:00
– 4:10 pm |
SEM
Niagara Business Meeting (10 minutes only) |
| |
|
| 4:10
– 5:40 pm |
SESSION
4 |
| Kathy
McKinley
(Carleton) |
Cambodian
Popular Music in the Diaspora: Transnational Business and
Imaginings
of Home |
| Heather
MacLachlan
(Cornell) |
The
Don Dance as an Expression of Karen Nationalism |
| Heather
Peters
(York) |
A
Semiotic Understanding of the Yugoslavian Immigrant Experience as
Represented in the Nostalgia of Homeland Music |
| |
link
to abstracts |