Dialect in Harris and Chesnut
- Class Discussion
If regionalism often involves some kind of distance
(between reader/characters or writer/narrator or narrator/characters), "The
Wonderful Tar Baby Story" and "The Goophered Grapevine" by Harris and
Chesnutt raise the issue with special complications. Think about these initial questions.
The significance of some of these answers may also depend on who the actual readers
are: your ethnicity, class, region, etc.
I.
General Comparison
- Who is the narrator? (What can you infer?)
- Who are the characters?
- Who is the implied audience?
- Who is the author?
- Do these factors increase/decrease your
distance from the two stories?
I - II - III
II.
Joel Chandler Harris, a white southerner, created the "Uncle Remus"
narrator and reworked traditional African-American tales he learned at a plantation and
through formal "collection."
- What does the orthography of his story
convey? Does it seem accurate, stereotypical? How does the staging of this
"telling" strike you?
- Does the style (narrative moves, language)
invite the reader to take a particular attitude towards the story and its teller?
- Does Harris capture (or aim for) specific regional
features?
- What do you imagine the white readership of
an 1880s Atlanta, Georgia newspaper would make of this story?
I - II - III
III.
Charles Chesnutt, a "free-black" born in Ohio, creates the
character of "Uncle Julius" and sets him in relation to a Yankee speculator
after the Civil War. The story was first published in a Boston magazine in 1887.
- How is dialect treated in this story? Does
the orthography or the style differ from Harris'?
- Do you see a subversive dimension to Julius
as some critics have?
- Does knowing that the author is an African
American seem relevant? Does it allow you to see perspectives in the text lacking in
Harris'? (Critics note that Chesnutt resisted the rise of Jim Crow.)
- Do we share the (presumably white, educated)
narrator's perspective? Or that of Julius? How does this frame affect our response?
I - II - III